Raven Projects : Muninn (1 of 2)
Spring 2012 – Spring 2014
SOLD
Model Name: Muninn
Color: Anthracite
Body Material: Swamp Ash
Body Shape: MG/CR Raven
Body Finish: ‘Clear Wudtone’
Neck Material: Rock Maple
Neck Style: 3×3 Headstock, oiled finish
Neck Shape: Modern “C”
Scale Length: 24.75”
Fingerboard: Tear-drop/full scalloped maple
Fingerboard Radius: 10″
Number of Frets: 22
Fret Size: Jumbo
Full-body String Nut: Black graph-tec
Nut Width: 42 mm
Fingerboard Inlays: N/A
Side Inlays: Black dot
Neck Plate: N/A
Pickup Configuration: HB-HB
Bridge Pickup: EMG HZ4
Middle Pickup: N/A
Neck Pickup: EMG HZ4-A
Controls: Master volume, coil-splitting push-pull
Pickup Switching: 3-Position blade:
- Bridge only
- Bridge & neck
- Neck only
Bridge: 6-Saddle, twin-pivot modern style floating tremolo
Hardware Finish: Black
Tuning Machines: Gibson ‘Tulip’ style
Pickguard: N/A
Control Knobs: Black speed-knob
Switch Tips: Black
Unique Features:
- Custom abalone headstock inlay
- Tear-drop’ scalloped fingerboard from frets 1 – 11
- Fully scalloped fingerboard from frets 12 – 22
- Coil-split function, changing humbuckers to single-coil
- Machine-thread neck insert for neck-mounting
- Fender locking strap buttons
- Treble-bleed wiring modification
Originally planned as a single, unique design and build, I managed to get a good deal purchasing the timber and ended up with two Swamp Ash body blanks.With two potential builds, I decided to theme along the lines of Norse mythology primarily as I wanted to create a transparent black, natural finish that would enhance the figuring of the Swamp Ash grain, but also because it seemed cool. The inspiration for this colour effect was a Raven’s wing, so I decided to theme the builds as Odin’s Ravens, Muninn (memory) and Huginn (thought).The body design was the result of many long hours in consultation with Chloe, aiming for a contemporary mix of Les Paul and Super-Strat body styles whilst keeping our own unique twist. The right horn was finished with a bevelled edge for a sword-edge like emphasis and was cut deep to allow easy access to the high fret area.This guitar was designed to look and feel sharp and edgy, and so I felt it needed a very fast action. The scalloping process was arduous but worthwhile, and has resulted in a super-slick experience, excellent for both 80’s style shredding and hard SRV style blues-bends. Frets 1 – 11 have been scalloped to a tear-drop profile to allow easier bar-chord playing, while frets 12 – 22 have the more traditional full scallop made famous by artists such as Yngwie Malmsteen and Steve Vai. High output passive pickups have been used to give an appropriate darkness to the sound, whilst keeping smooth tones in the Humbucker configuration. Pulling the Volume knob up into position splits the coils resulting in single-coil configuration, for a sharper more vintage sound.
– Odin, translated from Old Norse
Follow the design and build diary of Muninn…
